The Tomato Armchair Makes a Notable Comeback in Milan
At this year’s Milan Design Week, Chloé delivered one of the most refined highlights of the season. Under the creative direction of Chemena Kamali, the house announced the exclusive reissue of the iconic Tomato armchair, originally designed by Christian Adam in collaboration with Poltronova.
ART & CULTURE
5/5/20261 min read
First conceived in the 1970s, the Tomato armchair stands as a bold expression of experimental design. Its soft, enveloping silhouette and sculptural, organic curves define a vision of comfort that feels both generous and distinctive. Over time, it has become a sought-after collector’s piece, appreciated for its strong identity as much as for its tactile appeal.
With this reissue, Chloé expands its creative territory beyond fashion, embracing design as a natural extension of its aesthetic language. The approach reflects a focus on objects that combine functionality with a clear sense of form, echoing the same attention to detail found in the house’s collections.
Reimagined for today, the Tomato armchair is now available on a made-to-order basis, crafted in supple, naturally tanned leather. The palette remains understated, offered in four tones: cream, cognac, sand, and black, each enhancing the chair’s sculptural presence while preserving its original character.
More than a revival, this launch signals a broader evolution in luxury, where houses shape complete creative identities across multiple disciplines. In this context, Chloé’s return to an iconic design piece feels precise and intentional.
At Milan Design Week 2026, the reappearance of the Tomato armchair stands as a quiet yet confident statement, reaffirming the lasting relevance of a design that continues to resonate decades after its creation.
